So tomorrow, those of us who have bothered to register will vote in the most important referendum this country has held since 1975.
I have not watched one single referendum debate since the campaign started and have only read The i Paper as it's a neutral publication.
However, I think it's safe to say both sides haven't put their side across properly at all. Remember Cameron's World War III quote and the constant xenophobia from messers Farage, Boris, Gove et al.
The murder of Jo Cox last week shows how disgusting this campaign has been when her attacker may have been brainwashed by a far right group, when Ms Cox and others who don't hold Brexit views are seen as traitors.
This doesn't mean that all Brexiteers are bigoted, racist morons, far from it. There is a genuine concern about immigration and jobs, which nobody has a real solution to solve. They're not going to get it from Boris or Nigel Farage, both who are career politicians out to say the 'right' thing to enhance their careers.
So you're left with the perception that Remainers are white, middle class liberals, business people and the establishment, while Leave is full of working class people who don't fully understand the reasons why we should stay in the EU.
It's a bloody mess and that was before Jo Cox's murder.
However, I know it's going to be a close run thing tomorrow with undeciders who hold the key to our future.
If you haven't decided which way to vote, consider that the EU benefits us a lot more than we realise. Beaches are cleaner thanks to EU regulations, we have paid holiday for 28 days, soon mobile phone calls will no longer have roaming charges in EU countries and parts of this country receive EU subsidies, such as dairy farmers, keeping our British milk sustainable, when greedy supermarkets pay them peanuts.
Vote leave and it opens up a Pandora's Box of issues, not just for us in the UK, but for Europe as a whole. The union was set up to sustain peace after World War II and have come a long way since then. Don't throw it away for a nostalgic view of the past that really wasn't there.
Vote Remain.
Wednesday, 22 June 2016
Wednesday, 30 March 2016
Virgin on the cheap
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| Credit: Virgin/Wireless Group PLC |
Virgin Radio is back! After relaunching as Absolute Radio in 2008, new owners Wireless Group have relaunched the iconic brand.
However the connection with the old Virgin Radio ends there, this is a completely new radio station which while keeping the playlist guitar skewed, this is targeted at a younger male than the old station.
Justin Timberlake, Blackstreet, Dr. Dre and Notorious B.I.G. feature alongside the AOR fare of Travis and new bands, making it a hybrid of Radio X with a dash of Absolute.
The presenter line-up appears to be a mix of youth and experience. Edith Bowman made the jump from the Beeb to present breakfast while Jamie East, the former editor of gossip site HolyMoly presents mid-mornings, Kate Lawler is on afternoons, formerly of rock station Kerrang, comedian Matt Richardson is on drive, while former Xfm Manchester breakfast presenter Tim Cocker is on evenings.
The first show was on a Virgin Radio branded train from Manchester to London. As you'd expect, there were cut outs during links, but they did get the bands on live as they booked time to stop at railway stations for them to perform in the carriage.
Like sister station talkRADIO which launched last week, Virgin has suffered from technical problems with the DAB transmission, such as poor audio and problems with the studio equipment. It appears that these two stations had very quick studio builds which has led to the equipment not being fully tested.
The first use of the so called 'Red Room' at Virgin's new HQ in Hatfields, London also had technical issues with the performance from rock band 'Reef' which didn't help when presenter Matt Richardson's mic kept distorting and cutting out.
On the positive side, the advertisers and branding consultants like the return of the brand and the launch today, which gives Wireless Group some breathing space, but a normal day on Virgin will be the key to this station's future success. Can they build a new station on new younger listeners while older listeners to the brand in the past stick with the hybrid urban/AOR mix or return to the sanctuary of rival Bauer's Absolute Radio's brands of which the original Virgin is based on?
Monday, 28 September 2015
BBC Radio London to return, is it worth it?
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| The various brands of BBC local radio in London. |
Ever since Radio London launched, it has struggled against BBC nationals and commercial radio, this despite being London's only local radio station for three years until LBC launched in 1973.
There were also reception issues for FM listeners as the transmitter used was in Wrotham in Kent. This gave excellent reception for most in the capital, except South London. FM moved to Crystal Palace and then stereo in 1981.
Radio London attemped a revamp in the mid 80s with the soul format, where Tony Blackburn had a successful tenure until yet again, the station lost listeners.
It could be argued that the best era for the station was when Matthew Bannister and Trevor Dann relaunched Radio London as GLR - Greater London Radio with a rock/male skewed format which replaced Radio London in 1988. It was critically aclaimed and the format lives on as BBC Radio 6 Music. It also ensured that BBC local radio for the capital survived and didn't become a relay of a national radio station broadcasting in AM.
The trouble really started for the station in the late 90s when it was proposed to close GLR and rebrand as a tri-media service, BBC London Live which proposed a more mainstream service, dropping specialist shows and increasing the speech quota with recognised presenters.
Later in the decade, the station rebranded as BBC LDN and then BBC London 94.9.
So is BBC Radio London, the latest attempt by the BBC to make the station relevant? Managing Editor David Robey claims it's because the station is on so many platforms, that the station branding is no longer accurate.
BBC London 94.9's Rajar share is lower than LBC London News, a part-time rolling news station staffed by Global Radio journalists, while other speech radio listeners tune into BBC Radio 4's Today programme, the defacto 'local' breakfast show or LBC, the tabloid topical phone-in station or 5 Live.
This has led BBC London 94.9 to go uber niche, with contributors to their phone-in shows being regulars and other shows being a diluted version of programmes available elsewhere.
I wish BBC Radio London all the best with their relaunch, yet I doubt it'll make a dent on Radio 4 or LBC's Rajar unless David Robey changes elements of the format. An identical version of BBC Radio London from the 70s and early 80s won't work. It didn't then either.
Monday, 21 September 2015
Radio seXist?
"If you've read about Radio X being a radio station being for men only,
that is rubbish," he said. "Nobody agrees with this except for the one
person who put it in the press release." proclaimed Chris Moyles, the former 'Saviour of Radio 1' as he launched Global's new brand, Radio X.
Radio X before it launched caused controversy after press releases were sent out announcing the radio station was a radio station for men.
As I mentioned in my previous blog, I felt that Global shouldn't have put that quote out to the media as this is clearly a marketing exercise for advertisers and sponsors, which include O2 for Chris Moyles and other shows by Gillette ProGlide men's razors.
So onto today's output. I didn't listen to Chris Moyles, except for a 30 minute extract on AircheckDownloads.com where Moyles made his quote and talked a lot. He has freedom to produce his own show (as Global believe he'll bring in plenty of disgruntled Radio 1 listeners under Brand Moyles) that after what seemed an eternity of waffling, he then played Girls Aloud.
Mid-morning had Vernon Kay who quite frankly was awful, too much waffling, an inane phone-in comp and a pointless two way with the afternoon presenter where he mentioned that his first gig was on Xfm where he was let go after a week. How he got back into radio beggars belief, but messers Park and Tabor from Global know better as they've successfully relaunched Capital, LBC and Smooth Radio.
Dan O'Connell then took over and basically took the old Xfm format using the art of solid jockery for three hours with new and classic near mainstream guitar music.
Then 'Middle Aged Bloke FM' returned with Johnny Vaughan at drive. A person who may have been relevant to a younger audience in the noughties when he opened BBC Three, yet in 2015, the topics for Radio X's Camdenista's were "Who should be on a bank note?" and "who is your favourite weightlifter?" Topics which would be perfectly fine for his previous show on talkSPORT, but not on a radio station where for the last 18 years where music has been prominent.
Phil Clifton then took over at 7pm where he welcomed us "to a brand new radio station" No it's not Phil, it's the carcus of the old Xfm, with where Global really want to take the direction of the station in, a hybrid of talkSPORT and Absolute.
So did Radio X and Global stop the fears of female listeners who feel the station isn't for them? No, after this little ditty was played during breakfast
"We love women, with your make-up & high heels, you're so cute"
Stereotyping and Everyday Sexism still exists in the British broadcasting industry.
Radio X before it launched caused controversy after press releases were sent out announcing the radio station was a radio station for men.
As I mentioned in my previous blog, I felt that Global shouldn't have put that quote out to the media as this is clearly a marketing exercise for advertisers and sponsors, which include O2 for Chris Moyles and other shows by Gillette ProGlide men's razors.
So onto today's output. I didn't listen to Chris Moyles, except for a 30 minute extract on AircheckDownloads.com where Moyles made his quote and talked a lot. He has freedom to produce his own show (as Global believe he'll bring in plenty of disgruntled Radio 1 listeners under Brand Moyles) that after what seemed an eternity of waffling, he then played Girls Aloud.
Mid-morning had Vernon Kay who quite frankly was awful, too much waffling, an inane phone-in comp and a pointless two way with the afternoon presenter where he mentioned that his first gig was on Xfm where he was let go after a week. How he got back into radio beggars belief, but messers Park and Tabor from Global know better as they've successfully relaunched Capital, LBC and Smooth Radio.
Dan O'Connell then took over and basically took the old Xfm format using the art of solid jockery for three hours with new and classic near mainstream guitar music.
Then 'Middle Aged Bloke FM' returned with Johnny Vaughan at drive. A person who may have been relevant to a younger audience in the noughties when he opened BBC Three, yet in 2015, the topics for Radio X's Camdenista's were "Who should be on a bank note?" and "who is your favourite weightlifter?" Topics which would be perfectly fine for his previous show on talkSPORT, but not on a radio station where for the last 18 years where music has been prominent.
Phil Clifton then took over at 7pm where he welcomed us "to a brand new radio station" No it's not Phil, it's the carcus of the old Xfm, with where Global really want to take the direction of the station in, a hybrid of talkSPORT and Absolute.
So did Radio X and Global stop the fears of female listeners who feel the station isn't for them? No, after this little ditty was played during breakfast
"We love women, with your make-up & high heels, you're so cute"
Stereotyping and Everyday Sexism still exists in the British broadcasting industry.
Monday, 7 September 2015
Farewell Xfm
After 18 years as a full time station, Global are closing indie station Xfm.
For those of us who have listened to the station over the years, it comes as no surprise as one of the management of Global Radio is Director of Broadcasting Richard Park.
Back in 1998, less than a year after launch as a full time station, Xfm had been sold to the Capital Radio Group and Mr Park was put in charge of relaunching the station. The format changed from the original aims of Sammy Jacob and Chris Parry (who managed The Cure) to a Virgin Radio style Adult Orientated Rock format overnight with a playlist of Alanis Morrisette, The Beautiful South, Dave Matthews Band and other mainstream rock offerings alongside a tokenistic freeform show with Sir Bob Geldof.
The Radio Authority fined Xfm's new owner £4,000 for not adhering to their alternative format alongside the lack of a gig guide and Capital were forced to introduce more alternative programming, such as the re-introduction of John Kennedy's late night 'Peelesque' show which was rebranded Xposure, The Rock Show with Ian Camfield and Steve Taylor's A to X of Alternative Music.
Park was replaced by Andrew Phillips who introduced slightly more near-mainstream rock music and celebrity presenters with a laddish skew, he introduced Tom Binns, Robin Banks, Tim Lovejoy, Zoe Ball, Dermot O'Leary and the returning Vernon Kay.
After that period, Xfm started to take the format a bit more seriously. Muso presenters such as Shaun Keavney, Lauren Laverne (both now at BBC 6 Music) and Iain Baker were introduced with more near-mainstream alternative music. Other presenters included Natasha Desborough and later Marsha Shandur.
Xfm's downfall in my opinion was when Capital stretched themselves by launching spin-offs in Manchester, Scotland and Wales.
GCap Media replaced Capital and along with it, Xfm South Wales was sold months after launching while Manchester was under threat of being sold along with Scotland. They also introduced an automated format called XU between 10am-4pm while Manchester started sharing programming with London outside breakfast and drive. Xfm felt unloved once again. This was when I as a listener turned it off.
This continued under Global, Xfm Scotland became Galaxy and now Capital FM, while Manchester and London limped on with a bland mix of indie pop until September 21st....
Once again Xfm has turned back the clock to a hybrid of Park's 1998 station and Phillips celebrity skewed format with the new name Radio X.
Chris Moyles, an undisputed radio presenter with a clear background of award winning radio over the years has returned to present breakfast after a three year absence after leaving Radio 1. However he is a polarising personality, you either love his work or think he's a misogynistic pig. He'll certainly bring in a lot of ex thirty something Radio 1 listeners, but may lose a ton of indie/alt and female listeners.
Global have really executed the pre-launch poorly by saying the radio station is 'male skewed', while it's true and suits advertisers, it does nothing to reassure female listeners that this station is gender-netural and for all. Sadly broadcasting is still a largely sexist industry which makes it harder for radio people to understand that both sexes expect equality from entertainment formats. However advertisers are first behind listeners which is a sad part of commercial radio.
Heart, Xfm's sister station which is largely female skewed doesn't say it's a women's only station, nor does UTV's talkSPORT which is uber blokey and white van man.
Other celeb presenters include Family Fortunes host Vernon Kay who had a stint on Xfm in 2000 and wasn't well received then and former Capital FM DJ Johnny Vaughan who presents drivetime.
So later this month, Xfm goes into radio history and a white middle aged executive's format from 1998 finally replaces a creative vision that alternative music people had vision to create in the 1990s.
Radio X will do well, but once again alternative music radio in the UK goes niche.
For those of us who have listened to the station over the years, it comes as no surprise as one of the management of Global Radio is Director of Broadcasting Richard Park.
Back in 1998, less than a year after launch as a full time station, Xfm had been sold to the Capital Radio Group and Mr Park was put in charge of relaunching the station. The format changed from the original aims of Sammy Jacob and Chris Parry (who managed The Cure) to a Virgin Radio style Adult Orientated Rock format overnight with a playlist of Alanis Morrisette, The Beautiful South, Dave Matthews Band and other mainstream rock offerings alongside a tokenistic freeform show with Sir Bob Geldof.
The Radio Authority fined Xfm's new owner £4,000 for not adhering to their alternative format alongside the lack of a gig guide and Capital were forced to introduce more alternative programming, such as the re-introduction of John Kennedy's late night 'Peelesque' show which was rebranded Xposure, The Rock Show with Ian Camfield and Steve Taylor's A to X of Alternative Music.
Park was replaced by Andrew Phillips who introduced slightly more near-mainstream rock music and celebrity presenters with a laddish skew, he introduced Tom Binns, Robin Banks, Tim Lovejoy, Zoe Ball, Dermot O'Leary and the returning Vernon Kay.
After that period, Xfm started to take the format a bit more seriously. Muso presenters such as Shaun Keavney, Lauren Laverne (both now at BBC 6 Music) and Iain Baker were introduced with more near-mainstream alternative music. Other presenters included Natasha Desborough and later Marsha Shandur.
Xfm's downfall in my opinion was when Capital stretched themselves by launching spin-offs in Manchester, Scotland and Wales.
GCap Media replaced Capital and along with it, Xfm South Wales was sold months after launching while Manchester was under threat of being sold along with Scotland. They also introduced an automated format called XU between 10am-4pm while Manchester started sharing programming with London outside breakfast and drive. Xfm felt unloved once again. This was when I as a listener turned it off.
This continued under Global, Xfm Scotland became Galaxy and now Capital FM, while Manchester and London limped on with a bland mix of indie pop until September 21st....
Once again Xfm has turned back the clock to a hybrid of Park's 1998 station and Phillips celebrity skewed format with the new name Radio X.
Chris Moyles, an undisputed radio presenter with a clear background of award winning radio over the years has returned to present breakfast after a three year absence after leaving Radio 1. However he is a polarising personality, you either love his work or think he's a misogynistic pig. He'll certainly bring in a lot of ex thirty something Radio 1 listeners, but may lose a ton of indie/alt and female listeners.
Global have really executed the pre-launch poorly by saying the radio station is 'male skewed', while it's true and suits advertisers, it does nothing to reassure female listeners that this station is gender-netural and for all. Sadly broadcasting is still a largely sexist industry which makes it harder for radio people to understand that both sexes expect equality from entertainment formats. However advertisers are first behind listeners which is a sad part of commercial radio.
Heart, Xfm's sister station which is largely female skewed doesn't say it's a women's only station, nor does UTV's talkSPORT which is uber blokey and white van man.
Other celeb presenters include Family Fortunes host Vernon Kay who had a stint on Xfm in 2000 and wasn't well received then and former Capital FM DJ Johnny Vaughan who presents drivetime.
So later this month, Xfm goes into radio history and a white middle aged executive's format from 1998 finally replaces a creative vision that alternative music people had vision to create in the 1990s.
Radio X will do well, but once again alternative music radio in the UK goes niche.
Wednesday, 12 November 2014
Share Radio - An under served speech format
Digital radio start ups are usually either brand extensions of current radio stations or so niche that they don't cater to my mainstream ears.
However on November 4th, Share Radio launched on the London 3 DAB multiplex. I was expecting to hear a Bloomberg style rolling business news format throughout the day, yet this radio station has found it's niche between providing hard business news and providing output for those who haven't got a clue about finance like yours truly who got an F in GCSE Maths, yet isn't dumbed down broadcasting.
Features such as explaining the jargon in business bring the world of finance closer to average people who don't have a clue about business, while business news is explained in a way which makes the information relevant.
Morning Money, the breakfast show presented by unknown Danish presenter Sandra Kilhof is as you expect a solid programme of business news, yet as mentioned above doesn't exclude those who don't work in the City or Canary Wharf.
It then gets a bit lighter from 9am when Consuming Issues with BBC London 94.9 sports reporter Georgie Frost takes over. Along with her producer Annie Weston, they take a look at issues which affect the average person while keeping up to date with breaking business news. They even have a Youth business slot on Friday mornings with blogger Iona Blair which looks at the issues affecting young people and students with their finances. Interactivity is key with this programme when they ask the listener to pose questions, set the news agenda or my favourite part, the light questions such as what have you lost while travelling.
Business broadcasting legend Ed Mitchell (EBN/CNBC/ITN) takes over at 1pm with Investment Perspectives. This is Ed's first gig since his much publicised issues that affected him a few years back.
One of his features looks at ethical business which will help people like me understand that not all investors are in it for the greed, but ensure that a company works in an ethical manner.
The evening show (5-9) with Simon Rose is similar to Morning Money, but is not as straight laced with lighter discussion regarding the business stories of the day.
For a station that didn't even have a studio four months ago, the quality of the programming is on a par with 5 Live and LBC, although of course there are some small issues which I'm sure they'll sort out in due course.
News bulletin copy is excellent, but the delivery could be improved, that could be down to lack of piloting or inexperience. Weekend shows are hard to find. I found a 'Desert Island Discs' type programme on Saturday afternoon. There's apparently other weekend shows, but bar the music show, the weekends I found to be repeats of programming from the week.
Share Radio is also bidding for the 963/972 AM licence for the London area and plan to go national on DAB at some point in the future.
I wish these guys the best for the future as this is one station which is finally providing a much needed under served viable format which may just break even.
Saturday, 30 August 2014
Internet Radio may be the future...kind of
To be honest, I always obtain technology when it becomes outdated. As a kid, AM radio was still the main way to listen to radio for me, until the big ILR split of local radio stations in the late 80s when the chart music moved to FM and AM became the home of golden oldies.
So it may come to no surprise that I only had landline ADSL2 broadband installed yesterday. It's on TalkTalk's dirt cheap 'Simply Broadband' deal where for £1.75 plus line rental, I can now discover the wonders of various radio stations thanks to the unlimited broadband they provide.
In the noughties, I'd visit easyeverything, a internet cafe in London where they had banks of computers which had headphone jacks so you could listen to music. Back then, it wasn't very good. 32k Windows Media Streams or the inferior Real Player ones were the norm with some sounding sub AM quality. Considering we just got out of dial-up, this wasn't surprising.
Now the possibilities are endless. Hi-fi quality streams providing better than FM with higher bitrates, although 128k mp3 or 48k AAC+ appear to be the norm for your average listener. You can listen on your smartphone etc either on wifi or on mobile broadband, so you're not tied to your PC.
One of the best things about internet radio is that anyone can set up a niche format station. I'm a big fan of the 1990s rave scene and numerous stations playing the music from my era of the scene from 1991-1996 have popped up, such as Break Pirates Radio and Rave Tape Radio just to name two and simulcasts of London pirate radio stations. While the pirates are on FM, the coverage on FM isn't as great as in the 90s, so listening on wifi around the house takes away the issue of interference.
Having that amount of choice, reminds me of the days of London Pirate radio of that era when I could tune into any number of stations from across the capital playing underground dance.
I did try mobile broadband to listen to online radio. It does work, but I did it when my phone provider Virgin Media offered unlimited data for £10 on PAYG. It's now only 1GB, so limits you to low bitrate AAC streams for short periods, so the phone is now used for looking at social media while the trusted old PURE PocketDAB 1500 is used to listen to radio stations.
Bauer's Absolute stations are offered to registered listeners in high quality stereo with less ads and extra music. This means I now listen to their 80s and 90s decade stations online instead of 64kbps MP2 mono on DAB at home at least.
Wifi has clearly opened up internet radio to the masses who don't need to buy an internet radio by simply using their smartphones using either the TuneIn or UK Radioplayer apps, yet mobile listening using the 3G/4G networks are still not ready for it. Data limits and coverage are still an issue, so I wouldn't give up on FM or DAB just yet. But when it does become popular, commercial radio will have to up it's game again. There's only so much you can do with tightly formatted radio, however good Heart or Smooth is programmed.
So it may come to no surprise that I only had landline ADSL2 broadband installed yesterday. It's on TalkTalk's dirt cheap 'Simply Broadband' deal where for £1.75 plus line rental, I can now discover the wonders of various radio stations thanks to the unlimited broadband they provide.
In the noughties, I'd visit easyeverything, a internet cafe in London where they had banks of computers which had headphone jacks so you could listen to music. Back then, it wasn't very good. 32k Windows Media Streams or the inferior Real Player ones were the norm with some sounding sub AM quality. Considering we just got out of dial-up, this wasn't surprising.
Now the possibilities are endless. Hi-fi quality streams providing better than FM with higher bitrates, although 128k mp3 or 48k AAC+ appear to be the norm for your average listener. You can listen on your smartphone etc either on wifi or on mobile broadband, so you're not tied to your PC.
One of the best things about internet radio is that anyone can set up a niche format station. I'm a big fan of the 1990s rave scene and numerous stations playing the music from my era of the scene from 1991-1996 have popped up, such as Break Pirates Radio and Rave Tape Radio just to name two and simulcasts of London pirate radio stations. While the pirates are on FM, the coverage on FM isn't as great as in the 90s, so listening on wifi around the house takes away the issue of interference.
Having that amount of choice, reminds me of the days of London Pirate radio of that era when I could tune into any number of stations from across the capital playing underground dance.
I did try mobile broadband to listen to online radio. It does work, but I did it when my phone provider Virgin Media offered unlimited data for £10 on PAYG. It's now only 1GB, so limits you to low bitrate AAC streams for short periods, so the phone is now used for looking at social media while the trusted old PURE PocketDAB 1500 is used to listen to radio stations.
Bauer's Absolute stations are offered to registered listeners in high quality stereo with less ads and extra music. This means I now listen to their 80s and 90s decade stations online instead of 64kbps MP2 mono on DAB at home at least.
Wifi has clearly opened up internet radio to the masses who don't need to buy an internet radio by simply using their smartphones using either the TuneIn or UK Radioplayer apps, yet mobile listening using the 3G/4G networks are still not ready for it. Data limits and coverage are still an issue, so I wouldn't give up on FM or DAB just yet. But when it does become popular, commercial radio will have to up it's game again. There's only so much you can do with tightly formatted radio, however good Heart or Smooth is programmed.
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